1
00:00:07,140 --> 00:00:08,610
PREVIOUSLY ON
"SWITCHED AT BIRTH"...

2
00:00:08,610 --> 00:00:10,030
- IT WAS A STUPID, DRUNKEN KISS.
- I WANT YOU OUT OF HERE!

3
00:00:10,030 --> 00:00:11,070
Toby: RISE AND SHINE.

4
00:00:11,070 --> 00:00:14,030
MAN, I AM BUYING YOU
A NEW COUCH.

5
00:00:14,030 --> 00:00:16,030
OR YOU COULD JUST GO HOME
AND APOLOGIZE TO MOM

6
00:00:16,030 --> 00:00:17,990
FOR MAKING OUT
WITH MY MOTHER-IN-LAW.

7
00:00:17,990 --> 00:00:20,330
IT'S MY DECISION.
AND IT DOESN'T AFFECT YOU.

8
00:00:20,330 --> 00:00:22,370
IT DOES AFFECT ME.
I CARE ABOUT YOU.

9
00:00:22,370 --> 00:00:24,250
WHAT'S YOUR DEAL?
ARE YOU INTO HIM?

10
00:00:24,250 --> 00:00:26,000
I DO HAVE FEELINGS
FOR CAMPBELL.

11
00:00:26,000 --> 00:00:28,040
BUT I HAVE THEM
FOR YOU TOO.

12
00:00:28,040 --> 00:00:29,880
- WHAT'S WRONG?
- I CAN'T MOVE MY FINGERS.

13
00:00:29,880 --> 00:00:31,050
SHE HAS TWO
LACERATED TENDONS.

14
00:00:31,050 --> 00:00:32,130
MIDDLE AND INDEX FINGER.

15
00:00:32,130 --> 00:00:34,300
- WHAT DO WE DO?
- WE'LL GET IN THERE

16
00:00:34,300 --> 00:00:35,970
AND WE'LL SURGICALLY
REPAIR THE TENDONS.

17
00:00:35,970 --> 00:00:36,970
WILL SHE STILL BE ABLE
TO PAINT AND DRAW?

18
00:00:36,970 --> 00:00:38,010
WE'LL DO OUR BEST.

19
00:00:38,010 --> 00:00:39,890
POP IT.
LIKE A BALLOON.

20
00:00:40,940 --> 00:00:43,270
( groans, gasps )

21
00:00:43,270 --> 00:00:44,270
( sighs )

22
00:00:46,100 --> 00:00:48,110
YOU DID GOOD.

23
00:00:54,990 --> 00:00:57,320
SO YOU DEFINITELY HAVE IT.
FOR SURE?

24
00:00:57,320 --> 00:00:59,040
OKAY, GREAT.

25
00:00:59,040 --> 00:01:00,080
I'LL SEE YOU LATER.

26
00:01:00,080 --> 00:01:01,120
THANK YOU.

27
00:01:01,120 --> 00:01:02,160
HA!

28
00:01:02,160 --> 00:01:04,080
WHAT'S UP WITH YOU?

29
00:01:04,080 --> 00:01:06,960
YOU ARE LOOKING
AT A MAN WITH A PLAN.

30
00:01:06,960 --> 00:01:09,880
DOES THAT PLAN INVOLVE
A LAUNDRY BASKET AND A MOP?

31
00:01:09,880 --> 00:01:11,010
THAT'S FUNNY.

32
00:01:11,010 --> 00:01:12,970
IT'S A PLAN TO GET
THROUGH TO YOUR MOTHER.

33
00:01:12,970 --> 00:01:16,210
SHE WANTS TO BE WON BACK?
SHE WILL BE WON BACK.

34
00:01:16,210 --> 00:01:18,310
SOUNDS GREAT.
WHAT'S THE PLAN?

35
00:01:18,310 --> 00:01:21,140
I'M NOT QUITE READY
TO SPILL THE BEANS YET.

36
00:01:21,140 --> 00:01:22,980
OKAY.
WELL, GOOD LUCK.

37
00:01:22,980 --> 00:01:24,220
I'M SURE SHE'LL LOVE WHATEVER
YOU HAVE UP YOUR SLEEVE.

38
00:01:24,220 --> 00:01:26,350
YOU KNOW, I REALLY
THINK SHE WILL.

39
00:01:27,980 --> 00:01:29,320
( sighs )

40
00:01:47,160 --> 00:01:49,920
ACTUALLY, THERE'S
ONE MORE THING.

41
00:01:49,920 --> 00:01:52,880
I WAS THINKING ABOUT
CASTING A WIDER NET.

42
00:01:52,880 --> 00:01:54,090
REALLY?

43
00:01:54,090 --> 00:01:56,130
BUT YOU ALWAYS WANTED
TO GO TO GALLAUDET.

44
00:01:56,130 --> 00:01:57,510
I KNOW,
AND I DO.

45
00:01:57,510 --> 00:02:00,310
BUT I WAS THINKING ABOUT
APPLYING TO A FEW SCHOOLS

46
00:02:00,310 --> 00:02:02,350
THAT HAVE A STRONG
PRE-MED PROGRAM.

47
00:02:02,350 --> 00:02:04,970
PRE-MED.

48
00:02:04,970 --> 00:02:07,060
I DON'T KNOW.
DO YOU GUYS THINK IT'S CRAZY?

49
00:02:29,380 --> 00:02:31,000
( quietly )
YEAH.

50
00:02:37,340 --> 00:02:39,010
Renzo: HEYA, SUNSHINE.

51
00:02:39,010 --> 00:02:40,260
Woman: KEEP STRETCHING.

52
00:02:40,260 --> 00:02:43,260
YOU KNOW WHAT-- I THINK
I'M JUST GONNA GO HOME.

53
00:02:43,260 --> 00:02:45,220
OH, KATHRYN KENNISH.

54
00:02:45,220 --> 00:02:47,220
TO EVERYTHING
THERE IS A SEASON.

55
00:02:47,220 --> 00:02:49,150
AND A TIME TO EVERY PURPOSE
UNDER THE SUN.

56
00:02:49,150 --> 00:02:50,980
A TIME TO LOVE.

57
00:02:50,980 --> 00:02:52,070
A TIME TO HATE.

58
00:02:52,070 --> 00:02:54,020
A TIME TO DIET.
A TIME TO PIG OUT.

59
00:02:54,020 --> 00:02:55,110
A TIME TO--

60
00:02:55,110 --> 00:02:57,070
- RENZO, I...
- LOOK.

61
00:02:57,070 --> 00:03:00,370
I KNOW YOU'RE SAD.

62
00:03:00,370 --> 00:03:02,320
BUT WALLOWING IN IT
ISN'T GOING TO HELP.

63
00:03:02,320 --> 00:03:04,280
ALL RIGHT, EVERYONE.
LET'S GET STARTED.

64
00:03:04,280 --> 00:03:05,320
COME ON.

65
00:03:07,080 --> 00:03:08,200
IT'S TIME TO DANCE.

66
00:03:08,200 --> 00:03:09,920
COME ON.

67
00:03:09,920 --> 00:03:12,130
( rock music begins )

68
00:03:12,130 --> 00:03:15,290
FIVE, SIX, SEVEN,
AND A WALKING.

69
00:03:27,010 --> 00:03:30,230
♪ I FELL IN LOVE
WITH A BEAUTIFUL SOUND ♪

70
00:03:30,230 --> 00:03:33,270
♪ TURN IT UP
AND WATCH IT SPIN AROUND ♪

71
00:03:33,270 --> 00:03:37,110
♪ A LITTLE BIT LO-FI,
THAT'S ALL RIGHT ♪

72
00:03:37,110 --> 00:03:40,160
♪ I WANT YOU TO PLAY ME
LIKE A RECORD TONIGHT ♪

73
00:03:40,160 --> 00:03:42,070
♪ YEAH, 'CAUSE I ♪

74
00:03:42,070 --> 00:03:44,950
♪ WILL BE YOUR RECORD ♪

75
00:03:44,950 --> 00:03:48,120
♪ AND YOU WILL BE
MY TURNTABLE ♪

76
00:03:48,120 --> 00:03:51,130
♪ I'M YOUR AMPLIFIER ♪

77
00:03:51,130 --> 00:03:55,210
♪ AND YOU'RE
MY R.C.A. CABLE ♪

78
00:03:55,210 --> 00:03:57,080
♪ UP, DOWN, UP, DOWN ♪

79
00:03:57,080 --> 00:03:59,050
♪ DOWN, DOWN, BABY, UP ♪

80
00:03:59,050 --> 00:04:02,050
♪ ONE KISS
AND I'M DISABLED ♪

81
00:04:02,050 --> 00:04:05,140
♪ I WILL BE
YOUR RECORD ♪

82
00:04:05,140 --> 00:04:09,310
♪ AND YOU WILL BE
MY TURNTABLE ♪

83
00:04:12,100 --> 00:04:17,940
♪ YEAH, TURNTABLE. ♪

84
00:04:17,940 --> 00:04:21,360
( vocalizing )

85
00:04:26,950 --> 00:04:28,070
( record idles
on turntable )

86
00:04:32,960 --> 00:04:35,330
- ( country rock plays )
- FIVE, SIX, SEVEN, EIGHT.

87
00:04:35,330 --> 00:04:37,170
LEFT, RIGHT, LEFT, HEEL.

88
00:04:37,170 --> 00:04:38,970
HEEL, RIGHT, LEFT, HEEL.

89
00:04:38,970 --> 00:04:40,970
PUT IT BEHIND.
AND A BEND AND A CLAP.

90
00:04:40,970 --> 00:04:42,180
AND A RIGHT, LEFT.

91
00:04:42,180 --> 00:04:44,180
AND RIGHT AND LEFT.

92
00:04:44,180 --> 00:04:46,300
( door closes )

93
00:04:46,300 --> 00:04:48,180
OKAY.
WHAT'S HAPPENING?

94
00:04:48,180 --> 00:04:50,140
( laughs )
UM...

95
00:04:50,140 --> 00:04:53,230
IT'S THIS, UH--
THIS SERENADE THING

96
00:04:53,230 --> 00:04:56,310
THE PLEDGES HAVE TO DO
FOR THE SORORITIES.

97
00:04:56,310 --> 00:04:58,990
THEY KEEP COMING UP WITH
NEW WAYS TO HUMILIATE US.

98
00:04:58,990 --> 00:05:01,280
MM-HMM.
ENCORE. NOW.

99
00:05:01,280 --> 00:05:04,320
NO NO NO.
I'M NOT DANCING FOR YOU.

100
00:05:04,320 --> 00:05:07,200
OH, YES, YOU ARE.

101
00:05:07,200 --> 00:05:09,290
( chuckles )
ALL RIGHT.

102
00:05:09,290 --> 00:05:11,290
YOU ASKED FOR IT.

103
00:05:11,290 --> 00:05:14,040
( country rock plays )

104
00:05:16,080 --> 00:05:18,330
MM.
♪ SOME GO LEFT ♪

105
00:05:18,330 --> 00:05:19,960
♪ SOME GO RIGHT ♪

106
00:05:19,960 --> 00:05:22,090
♪ WE ARE THE ONES
WHO CAN GO ALL NIGHT ♪

107
00:05:22,090 --> 00:05:25,010
♪ WHEN LESSER MEN ASK
WHO AM I ♪

108
00:05:25,010 --> 00:05:27,960
♪ I SAY A LOYAL BROTHER
OF OMEGA PSI! ♪

109
00:05:35,060 --> 00:05:36,060
( laughs )

110
00:05:37,930 --> 00:05:39,900
OMEGA PSI!

111
00:05:39,900 --> 00:05:41,070
YOU ARE NOT BAD,
YOU KNOW THAT?

112
00:05:41,070 --> 00:05:42,240
YOU REALLY CAN DANCE.

113
00:05:42,240 --> 00:05:45,240
OH, DUDE.
I'VE GOT SOME HIDDEN TALENTS.

114
00:05:45,240 --> 00:05:47,030
I'M KIND OF LIKE AN ONION.

115
00:05:47,030 --> 00:05:49,120
YOU JUST HAVE TO UNPEEL ME.

116
00:05:49,120 --> 00:05:52,990
HUH. SADLY, THERE WILL
BE NO UNPEELING HAPPENING.

117
00:05:52,990 --> 00:05:54,330
WE HAVE TO GET TO CLASS.

118
00:05:54,330 --> 00:05:56,160
( sighs )

119
00:05:56,160 --> 00:05:57,580
WAIT, YOU'RE COMING?

120
00:05:57,580 --> 00:05:59,000
I THOUGHT YOU WERE WORRIED
YOU HAD TO DROP THE CLASS

121
00:05:59,000 --> 00:06:00,380
'CAUSE OF YOUR HAND.

122
00:06:00,380 --> 00:06:02,300
I WAS NERVOUS HOW OF THAT
WAS GONNA LOOK TO PRATT,

123
00:06:02,300 --> 00:06:04,880
SINCE I'D HAVE TO EXPLAIN
WHY I WAS DROPPING IT.

124
00:06:04,880 --> 00:06:06,300
RIGHT, YEAH.
PROBABLY A GOOD CALL.

125
00:06:06,300 --> 00:06:08,130
DID YOU DO THE ASSIGNMENT?

126
00:06:08,130 --> 00:06:09,890
I TRIED.

127
00:06:09,890 --> 00:06:12,970
SHE'S GONNA HAVE TO TAKE
THIS THING INTO CONSIDERATION.

128
00:06:12,970 --> 00:06:14,310
- YEAH.
- I'M JUST GONNA KEEP
MY HEAD DOWN

129
00:06:14,310 --> 00:06:16,060
AND GET THROUGH THIS CLASS--

130
00:06:16,060 --> 00:06:17,970
AND AWAIT MY LETTER
OF ACCEPTANCE?

131
00:06:17,970 --> 00:06:19,070
- HMM.
- SO...

132
00:06:19,070 --> 00:06:20,150
I'M JUST HOPING
EVERYTHING'S

133
00:06:20,150 --> 00:06:22,190
GOING TO BE BACK
TO NORMAL BY THEN.

134
00:06:22,190 --> 00:06:24,980
I LIKE YOUR SPIRIT,
KENNISH.

135
00:06:24,980 --> 00:06:26,150
( chuckles )

136
00:06:27,940 --> 00:06:29,990
( cowboy accent )
WELL, ALL RIGHT, COWPOKE.

137
00:06:29,990 --> 00:06:31,160
LET'S HIT THE TRAIL.

138
00:06:31,160 --> 00:06:32,950
( chuckles )

139
00:06:39,380 --> 00:06:41,090
( applause )

140
00:06:46,250 --> 00:06:47,880
HEY.
THERE'S A WHOLE PAN

141
00:06:47,880 --> 00:06:48,930
OF PIPETTES
THAT NEED TO BE CLEANED.

142
00:06:48,930 --> 00:06:50,050
OKAY.

143
00:06:50,050 --> 00:06:51,890
I WAS ACTUALLY GOING
TO ASK YOU SOMETHING.

144
00:06:51,890 --> 00:06:53,930
IS THERE ANY WAY

145
00:06:53,930 --> 00:06:56,890
THAT I COULD TAKE ON MORE
RESPONSIBILITY AROUND HERE?

146
00:06:56,890 --> 00:06:59,940
I'D BE REALLY GRATEFUL
FOR ANY OPPORTUNITIES TO LEARN,

147
00:06:59,940 --> 00:07:02,320
AND THE WHOLE DR. J THING
KIND OF GOT ME THINKING THAT--

148
00:07:02,320 --> 00:07:04,150
THAT YOU'RE A HERO?

149
00:07:04,150 --> 00:07:05,360
FROM WHAT I UNDERSTAND,

150
00:07:05,360 --> 00:07:07,270
YOU AND YOUR FRIEND

151
00:07:07,270 --> 00:07:10,120
TRICKED A VIOLENT,
MENTALLY UNSTABLE WOMAN

152
00:07:10,120 --> 00:07:12,240
INTO COMING HERE
AFTER HOURS.

153
00:07:12,240 --> 00:07:14,070
YOU'RE GETTING CREDIT
FOR FIXING SOMETHING

154
00:07:14,070 --> 00:07:17,240
THAT SHOULD HAVE NEVER
HAPPENED IN THE FIRST PLACE.

155
00:07:17,240 --> 00:07:19,340
LET ME KNOW WHEN YOU
FINISH THE PIPETTES.

156
00:07:21,960 --> 00:07:24,040
( door opens )

157
00:07:28,040 --> 00:07:29,300
WHAT GOOD WOULD THAT DO?

158
00:07:32,890 --> 00:07:34,220
TRAVIS--

159
00:07:40,270 --> 00:07:42,190
HE'S A JACKASS.

160
00:07:42,190 --> 00:07:44,940
AND I DON'T WANT YOU
TO GET HURT.

161
00:07:49,110 --> 00:07:51,070
WHY WOULD YOU SAY THAT?

162
00:07:53,320 --> 00:07:56,910
OKAY.
OKAY, I'M SORRY.

163
00:07:56,910 --> 00:07:59,170
( stammers )
LET'S DO SOMETHING.

164
00:07:59,170 --> 00:08:01,080
HERE.

165
00:08:01,080 --> 00:08:05,290
UM... THERE'S--

166
00:08:05,290 --> 00:08:07,120
THERE'S AN OPEN-MIC THING

167
00:08:07,120 --> 00:08:08,970
AT THE STUDENT CENTER.

168
00:08:08,970 --> 00:08:10,130
NO. ( chuckles ) DUH.

169
00:08:10,130 --> 00:08:11,340
HOW ABOUT A MOVIE?

170
00:08:11,340 --> 00:08:13,260
THERE ARE LIKE THREE
THAT I WANT TO SEE.

171
00:08:18,300 --> 00:08:21,350
OKAY. BUMMER.

172
00:08:21,350 --> 00:08:25,060
UM, THEN WE'LL JUST
WATCH A MOVIE HERE.

173
00:08:28,230 --> 00:08:30,360
( phone chimes )

174
00:08:39,210 --> 00:08:42,210
UH, A BUNCH OF THE GIRLS
FROM MY FLOOR

175
00:08:42,210 --> 00:08:44,960
WENT SHOPPING FOR DRESSES
FOR THE CAMPUS FORMAL.

176
00:08:44,960 --> 00:08:47,080
THEY'RE SENDING ME PICTURES.

177
00:08:52,340 --> 00:08:54,010
WHY WOULD I
HAVE A DRESS?

178
00:08:55,880 --> 00:08:58,300
I JUST FIGURED THAT
YOU WOULDN'T BE INTO IT.

179
00:09:04,890 --> 00:09:06,020
YOU DO?

180
00:09:10,990 --> 00:09:13,900
I'M SORRY, THAT--
THAT WAS DUMB OF ME.

181
00:09:18,070 --> 00:09:19,330
YES.

182
00:09:22,000 --> 00:09:23,290
YAY! OKAY.

183
00:09:23,290 --> 00:09:25,250
I'M EXCITED.
I LOVE DANCING.

184
00:09:25,250 --> 00:09:28,290
BUT IT'S FORMAL, OKAY?

185
00:09:28,290 --> 00:09:30,970
DRESS UP.
THAT'S STILL COOL?

186
00:09:38,210 --> 00:09:41,310
I ASKED YOU
TO DEPICT A MEMORY.

187
00:09:41,310 --> 00:09:44,930
AND TODAY WE'RE GOING TO SEE
WHAT YOU CAME UP WITH.

188
00:09:44,930 --> 00:09:48,140
I'M SENSING WE'RE GOING TO SEE
A LOT OF BIRTHDAY CAKES

189
00:09:48,140 --> 00:09:50,230
AND PUPPIES
ON CHRISTMAS MORNING.

190
00:09:58,150 --> 00:10:00,160
WHAT IS THIS?

191
00:10:00,160 --> 00:10:02,000
IT'S A MEMORY.

192
00:10:02,000 --> 00:10:04,240
OF THE DAY I FOUND OUT
THAT MY BLOOD TYPE

193
00:10:04,240 --> 00:10:05,910
DIDN'T MATCH MY PARENTS'.

194
00:10:05,910 --> 00:10:08,120
THAT'S MY THUMBPRINT.
I SCANNED IT.

195
00:10:08,120 --> 00:10:11,050
AND ENLARGED IT.
THAT'S BLOOD, OBVIOUSLY.

196
00:10:11,050 --> 00:10:13,050
WHAT'S THIS SUPPOSED
TO MEAN?

197
00:10:13,050 --> 00:10:15,130
HOW IS THIS
SUPPOSED TO MAKE ME FEEL?

198
00:10:15,130 --> 00:10:20,140
HOW CONFUSED
AND WORRIED I WAS.

199
00:10:20,140 --> 00:10:22,100
WELL, THE ONLY THING
IT'S MAKING ME FEEL

200
00:10:22,100 --> 00:10:24,100
IS ANNOYED
AT HOW LITTLE YOU TRIED.

201
00:10:24,100 --> 00:10:26,220
MY TENDON SNAPPED.

202
00:10:26,220 --> 00:10:28,060
AND THAT SUCKS.

203
00:10:28,060 --> 00:10:30,070
AND I'M SORRY
ABOUT THAT.

204
00:10:30,070 --> 00:10:31,230
BUT YOU'RE AN ARTIST,

205
00:10:31,230 --> 00:10:33,230
AND AN ARTIST
FIGURES IT OUT.

206
00:10:33,230 --> 00:10:35,150
I'M TRYING HERE,
BUT MY TOOLBOX

207
00:10:35,150 --> 00:10:36,940
IS A LITTLE EMPTY
AT THE MOMENT.

208
00:10:36,940 --> 00:10:38,190
WELL, GET A BIGGER
TOOLBOX.

209
00:10:38,190 --> 00:10:40,910
YOU'RE PHONING IT IN.

210
00:10:40,910 --> 00:10:43,040
I'LL GIVE YOU TILL
THURSDAY TO REDO IT.

211
00:10:55,170 --> 00:10:56,380
DUDE, IT'S JUST A DANCE.

212
00:10:56,380 --> 00:10:57,460
YOU'RE GOING TO BE FINE.

213
00:11:01,390 --> 00:11:03,180
WELL, THEN WHY
DID YOU TELL HER

214
00:11:03,180 --> 00:11:04,470
THAT YOU CAN DANCE?

215
00:11:08,640 --> 00:11:10,650
IT'S NOT THAT HARD.

216
00:11:13,360 --> 00:11:16,270
IF EMMETT
CAN PLAY THE DRUMS,

217
00:11:16,270 --> 00:11:17,650
I'M PRETTY SURE
YOU CAN FIGURE OUT,

218
00:11:17,650 --> 00:11:19,620
YOU KNOW,
HOW TO DO THE ROBOT

219
00:11:19,620 --> 00:11:22,240
OR THE GANGNAM STYLE.

220
00:11:22,240 --> 00:11:25,200
YOU KNOW, WHATEVER.

221
00:11:25,200 --> 00:11:27,370
SHE'S GOING TO BE HAPPY
THAT YOU EVEN CAME.

222
00:11:45,300 --> 00:11:47,390
WELL, WHAT DO YOU
NEED TO LEARN?

223
00:11:47,390 --> 00:11:49,270
MAYBE I CAN SHOW YOU
SOME MOVES.

224
00:12:00,570 --> 00:12:03,490
ARE YOU TRYING TO TAKE
A GIRL OUT ON A DATE

225
00:12:03,490 --> 00:12:05,360
OR WIN "DANCING
WITH THE STARS"?

226
00:12:07,660 --> 00:12:09,420
DON'T WORRY, MAN.

227
00:12:09,420 --> 00:12:11,210
WE'LL FIGURE IT OUT.
OKAY?

228
00:12:33,520 --> 00:12:34,600
( sighs )

229
00:12:38,190 --> 00:12:39,530
HI.

230
00:12:40,530 --> 00:12:42,360
HI.

231
00:12:42,360 --> 00:12:44,200
HOW'S YOUR HAND?

232
00:12:44,200 --> 00:12:46,280
OH, IT'S PERFECT.

233
00:12:46,280 --> 00:12:48,200
AS LONG AS I DON'T SIGN,

234
00:12:48,200 --> 00:12:50,460
OR BRUSH MY TEETH,
OR EAT, OR DRAW.

235
00:12:50,460 --> 00:12:53,330
I'M SORRY I DIDN'T
COME BY SOONER.

236
00:12:53,330 --> 00:12:56,210
IT'S OKAY.

237
00:13:02,510 --> 00:13:04,510
THAT LOOKS LIKE
A PRETTY GOOD START.

238
00:13:04,510 --> 00:13:07,260
IT LOOKS LIKE
A BABY DREW IT.

239
00:13:07,260 --> 00:13:10,190
AND I KNOW PEOPLE
PAINT WITH THEIR TOES

240
00:13:10,190 --> 00:13:11,230
AND PAINT
WITH THEIR TEETH.

241
00:13:11,230 --> 00:13:12,390
WELL, I PAINT
WITH MY HANDS.

242
00:13:12,390 --> 00:13:14,480
AND I ACTUALLY NEED MINE
TO DO WHAT I DO.

243
00:13:14,480 --> 00:13:16,520
AREN'T YOU SUPPOSED
TO BE RESTING IT?

244
00:13:16,520 --> 00:13:19,240
I HAVE AN ASSIGNMENT.
THERE'S NO GETTING OUT OF IT.

245
00:13:19,240 --> 00:13:20,570
THAT'S RIDICULOUS.
LET ME CALL YOUR TEACHER.

246
00:13:20,570 --> 00:13:22,400
I APPRECIATE YOU
TRYING TO SAVE THE DAY

247
00:13:22,400 --> 00:13:23,570
AND BE ALL PARENTAL,

248
00:13:23,570 --> 00:13:25,490
BUT I JUST WANT
TO ICE THIS THING

249
00:13:25,490 --> 00:13:27,570
AND BE ALONE, SO--
YEAH, I'LL SEE YOU LATER.

250
00:13:35,450 --> 00:13:37,540
I WOULDN'T TAKE IT
PERSONALLY.

251
00:13:37,540 --> 00:13:39,550
SHE'S BEEN YELLING
AT EVERYBODY.

252
00:13:39,550 --> 00:13:42,170
I WISH I COULD DO
SOMETHING TO HELP HER.

253
00:13:42,170 --> 00:13:44,170
YOU KNOW,

254
00:13:44,170 --> 00:13:46,260
I MAY KNOW SOMEONE WHO...

255
00:13:46,260 --> 00:13:47,420
WOULD WELCOME YOUR HELP.

256
00:13:47,420 --> 00:13:50,430
SURE.
WHAT DO YOU NEED?

257
00:13:50,430 --> 00:13:54,270
( waltz music playing )

258
00:13:54,270 --> 00:13:57,390
Angelo: FORWARD, SIDE, CLOSE.
BACK, SIDE, CLOSE.

259
00:13:57,390 --> 00:13:59,650
FORWARD, SIDE, CLOSE.
BACK, SIDE, CLOSE

260
00:14:05,320 --> 00:14:06,570
HE SAYS HE SUCKS.

261
00:14:06,570 --> 00:14:08,440
AND I CAN'T SAY
I DISAGREE.

262
00:14:08,440 --> 00:14:09,620
HERE.

263
00:14:09,620 --> 00:14:10,620
LET ME.

264
00:14:13,290 --> 00:14:15,450
RELAX.

265
00:14:15,450 --> 00:14:17,450
STAY STRAIGHT.
STRAIGHT.

266
00:14:17,450 --> 00:14:19,550
NOT SO STRAIGHT.
RELAX.

267
00:14:19,550 --> 00:14:21,550
NO.
NOT SO RELAXED.

268
00:14:21,550 --> 00:14:23,210
KEEP YOUR HEAD UP.

269
00:14:23,210 --> 00:14:25,550
IT LOOKS A LITTLE SLOPPY HERE.
OKAY. NOW LEAD ME.

270
00:14:25,550 --> 00:14:29,180
ALL RIGHT?
ONE, TWO, THREE.
ONE, TWO, THREE.

271
00:14:29,180 --> 00:14:33,350
ONE-- YOU DON'T HAVE TO
SQUEEZE HER LIKE THAT, OKAY?

272
00:14:33,350 --> 00:14:36,350
UM, LOOK--
DANCING WITH A WOMAN

273
00:14:36,350 --> 00:14:38,510
IS LIKE MAKING LOVE.

274
00:14:38,510 --> 00:14:41,230
YOU HAVE TO BE
IN CHARGE.

275
00:14:43,190 --> 00:14:44,520
I'M NOT INTERPRETING THAT.

276
00:14:47,190 --> 00:14:49,370
OKAY, LET'S TRY
ONE MORE TIME.

277
00:14:49,370 --> 00:14:51,490
KEEP YOUR FRAME.
I'M GOING TO GIVE YOU A TEMPO.

278
00:14:51,490 --> 00:14:53,530
ALL RIGHT?
ONE, TWO, THREE.

279
00:14:53,530 --> 00:14:56,290
- ONE, TWO, THREE.
ONE, TWO, THREE.
- ( door opens )

280
00:14:56,290 --> 00:14:57,370
ONE, TWO-- BETTER.

281
00:14:57,370 --> 00:15:00,420
ONE, TWO, THREE, GOOD.

282
00:15:00,420 --> 00:15:01,630
Toby: OH, HEY.

283
00:15:01,630 --> 00:15:05,250
UH, WE'RE TRYING
TO TEACH TRAVIS

284
00:15:05,250 --> 00:15:06,460
HOW TO DANCE.

285
00:15:06,460 --> 00:15:08,210
FOR MARY BETH.

286
00:15:13,180 --> 00:15:15,600
UH, DO YOU KNOW
HOW TO DANCE?

287
00:15:20,320 --> 00:15:21,440
UH...

288
00:15:21,440 --> 00:15:23,320
MAY I?

289
00:15:23,320 --> 00:15:25,230
YEAH, PLEASE.

290
00:15:26,560 --> 00:15:29,280
GUYS, JUST LIKE THIS.

291
00:15:29,280 --> 00:15:31,370
RIGHT? AND THEN
YOU GET A LITTLE BETTER.

292
00:15:31,370 --> 00:15:33,370
AND THEN YOU GIVE HER
A LITTLE DIP.

293
00:15:33,370 --> 00:15:35,450
IF YOU'RE A GOOD LEADER...

294
00:15:37,330 --> 00:15:38,660
SHE DOESN'T NEED
TO KNOW THE STEPS

295
00:15:38,660 --> 00:15:41,500
IF YOU KNOW HOW TO LEAD.

296
00:15:57,180 --> 00:15:58,350
VOILA!

297
00:16:00,360 --> 00:16:01,650
EASY.

298
00:16:01,650 --> 00:16:03,560
SEE? EASY.

299
00:16:11,160 --> 00:16:13,070
OF COURSE BAY'S SURGEON
IS REPUTABLE.

300
00:16:13,070 --> 00:16:15,110
I DON'T KNOW
IF HE'S JEWISH.

301
00:16:15,110 --> 00:16:16,910
( stammers )

302
00:16:19,040 --> 00:16:21,040
MOM, I GOTTA CALL YOU BACK.

303
00:16:21,040 --> 00:16:22,960
BYE.

304
00:16:24,250 --> 00:16:25,880
HEY.

305
00:16:25,880 --> 00:16:26,920
HI.

306
00:16:26,920 --> 00:16:28,830
I BOUGHT YOU
A LITTLE SOMETHING.

307
00:16:28,830 --> 00:16:30,180
OH.

308
00:16:30,180 --> 00:16:31,300
SHOULD I OPEN IT?

309
00:16:31,300 --> 00:16:33,010
PLEASE.

310
00:16:37,090 --> 00:16:39,140
IT'S LOVELY.

311
00:16:39,140 --> 00:16:40,270
THANK YOU.

312
00:16:40,270 --> 00:16:43,140
YOU'RE WELCOME.
TRY IT ON. IT'S A--

313
00:16:43,140 --> 00:16:46,900
14-KARAT GOLD DIAMOND BRACELET
FROM PRENTICE BROTHERS.

314
00:16:46,900 --> 00:16:49,020
YEAH.
HOW DID YOU KNOW THAT?

315
00:16:49,020 --> 00:16:51,150
BECAUSE I ALREADY HAVE IT.

316
00:16:51,150 --> 00:16:53,950
YOU BOUGHT ME THE SAME ONE
FOR CHRISTMAS FOUR YEARS AGO.

317
00:16:53,950 --> 00:16:56,030
- REMEMBER?
- I DID.

318
00:16:56,030 --> 00:16:57,200
( sighs )

319
00:16:57,200 --> 00:16:59,080
I'LL EXCHANGE IT
FOR SOMETHING ELSE.

320
00:16:59,080 --> 00:17:00,250
A REALLY NICE GESTURE.

321
00:17:00,250 --> 00:17:03,290
BUT A BRACELET
IS NOT GOING TO FIX

322
00:17:03,290 --> 00:17:06,040
THE PROBLEMS
THAT WE'RE HAVING.

323
00:17:06,040 --> 00:17:08,870
PLEASE TELL ME THAT
THERE'S SOMETHING I CAN DO

324
00:17:08,870 --> 00:17:10,970
TO HELP YOU STOP BEING
SO UPSET WITH ME.

325
00:17:10,970 --> 00:17:13,010
I'M NOT MAD ANYMORE.

326
00:17:13,010 --> 00:17:14,840
I JUST NEED A LITTLE SPACE

327
00:17:14,840 --> 00:17:16,840
TO FIGURE OUT WHAT'S
GOING TO MAKE ME HAPPY.

328
00:17:16,840 --> 00:17:19,890
OKAY, JUST TELL ME WHAT
THAT IS, AND I'LL DO IT.

329
00:17:19,890 --> 00:17:21,940
- I DON'T KNOW.
- WHAT DO YOU MEAN,
YOU DON'T KNOW?

330
00:17:21,940 --> 00:17:24,180
MAYBE I'M HAVING
AN EXISTENTIAL CRISIS.

331
00:17:24,180 --> 00:17:26,140
MAYBE IT'S
EMPTY-NEST SYNDROME.

332
00:17:26,140 --> 00:17:29,280
MAYBE IT'S EARLY MENOPAUSE
OR DEPRESSION.

333
00:17:29,280 --> 00:17:32,150
I DON'T KNOW, IT'S JUST--
I'M NOT HAPPY.

334
00:17:32,150 --> 00:17:34,320
( sobs )
I DON'T WANT TO COOK
THE SAME MEALS.

335
00:17:34,320 --> 00:17:36,950
I DON'T WANT TO WATCH
THE SAME SHOWS.

336
00:17:36,950 --> 00:17:39,250
I DON'T WANT TO GIVE
EACH OTHER THE SAME PRESENTS--

337
00:17:39,250 --> 00:17:44,000
YEAR AFTER YEAR,
LIKE WE'RE STUCK ON REPEAT.

338
00:17:44,000 --> 00:17:47,040
I WANT ADVENTURE.

339
00:17:47,040 --> 00:17:49,210
MAYBE IT'S TOO MUCH
TO ASK.

340
00:17:49,210 --> 00:17:50,970
MAYBE IT'S UNFAIR.

341
00:17:50,970 --> 00:17:53,090
BUT THAT'S WHAT I WANT.

342
00:17:55,090 --> 00:17:57,210
I HAVE TO GO.

343
00:18:14,280 --> 00:18:15,900
( door closes )

344
00:18:18,280 --> 00:18:20,200
HI THERE.

345
00:18:20,200 --> 00:18:21,870
OF COURSE.

346
00:18:21,870 --> 00:18:22,910
EXCUSE ME?

347
00:18:22,910 --> 00:18:24,950
YOU KNOW, BEFORE YOU
CAME ALONG,

348
00:18:24,950 --> 00:18:26,910
KATHRYN WAS FINE.

349
00:18:26,910 --> 00:18:28,950
SHE WASN'T LYING TO ME.

350
00:18:28,950 --> 00:18:30,920
SHE WASN'T BLOWING OFF
HER FAMILY FOR A DRUM CIRCLE

351
00:18:30,920 --> 00:18:32,210
OR DANCE OR WHATEVER.

352
00:18:32,210 --> 00:18:33,840
SHE WAS HAPPY.

353
00:18:33,840 --> 00:18:35,300
- WAIT A MINUTE.
- IS THIS WHAT YOU DO?

354
00:18:35,300 --> 00:18:38,210
YOU GO AROUND BREAKING UP
PEOPLE'S MARRIAGES?

355
00:18:38,210 --> 00:18:41,020
POISONING WOMEN'S MINDS
WITH THESE, LIKE,

356
00:18:41,020 --> 00:18:43,180
NOTIONS OF HOW MUCH
THEY'RE MISSING OUT ON

357
00:18:43,180 --> 00:18:45,310
WITH THEIR BORING,
PATRIARCHAL HUSBANDS?

358
00:18:45,310 --> 00:18:47,220
WELL, GUESS WHAT--
CONGRATULATIONS.

359
00:18:47,220 --> 00:18:49,230
IT WORKED.

360
00:18:49,230 --> 00:18:51,270
YOU WILL YELL, SCREAM,

361
00:18:51,270 --> 00:18:54,070
AND POINT FINGERS--
ANYTHING...

362
00:18:54,070 --> 00:18:57,150
SO YOU DON'T
HAVE TO CHANGE.

363
00:18:57,150 --> 00:18:59,070
NOT ONE BIT.

364
00:19:02,910 --> 00:19:05,870
( door opens )

365
00:19:05,870 --> 00:19:08,040
( indistinct chatter )

366
00:19:22,180 --> 00:19:23,850
I'VE TRIED MY LEFT HAND,

367
00:19:23,850 --> 00:19:25,060
I'VE TRIED MY RIGHT HAND.

368
00:19:25,060 --> 00:19:27,060
I DON'T KNOW WHAT
SHE WANTS FROM ME.

369
00:19:31,020 --> 00:19:32,190
DRAW A MEMORY.

370
00:19:32,190 --> 00:19:34,020
I'VE TRIED LIKE 20.

371
00:19:34,020 --> 00:19:35,230
THEY'RE ALL
COMPLETELY OBVIOUS.

372
00:19:35,230 --> 00:19:37,070
( sighs )

373
00:19:37,070 --> 00:19:40,030
I WOKE UP ONE DAY
AND FOUND OUT

374
00:19:40,030 --> 00:19:42,870
I WASN'T REALLY
BAY KENNISH.

375
00:19:42,870 --> 00:19:45,200
AND THE ONLY WAY
I GOT THROUGH THAT

376
00:19:45,200 --> 00:19:47,030
WAS BECAUSE
I HAD ART.

377
00:19:47,030 --> 00:19:49,200
AND IF THAT GETS
TAKEN AWAY FROM ME, I--

378
00:20:03,050 --> 00:20:05,100
YEAH, WHY?

379
00:20:07,970 --> 00:20:09,140
WHAT?

380
00:20:30,870 --> 00:20:32,130
HEY.

381
00:20:34,130 --> 00:20:35,290
I WAS A LITTLE HARSH
ON YOU THE OTHER DAY.

382
00:20:35,290 --> 00:20:37,130
I THINK I MIGHT HAVE
BEEN LASHING OUT AT YOU

383
00:20:37,130 --> 00:20:39,970
FOR OTHER STUFF.
WHICH ISN'T FAIR.

384
00:20:39,970 --> 00:20:42,010
I UNDERSTAND
IF YOU'RE UPSET.

385
00:20:42,010 --> 00:20:43,930
IT SHOULDN'T AFFECT ME
PROFESSIONALLY.

386
00:20:43,930 --> 00:20:46,050
I KNEW WHAT I WAS GETTING INTO
WHEN I ASKED A VOLUNTEER OUT.

387
00:20:46,050 --> 00:20:47,590
JORGE, I--

388
00:20:47,590 --> 00:20:50,940
MY POINT IS,
IF YOU'D LIKE TO STICK
AROUND A LITTLE LONGER,

389
00:20:50,940 --> 00:20:52,850
I HAVE SOMETHING
THAT MIGHT INTEREST YOU.

390
00:20:52,850 --> 00:20:54,850
REALLY?

391
00:20:54,850 --> 00:20:56,270
ABSOLUTELY.
OKAY.

392
00:20:56,270 --> 00:20:58,020
YES.

393
00:20:58,020 --> 00:20:59,020
FOLLOW ME.

394
00:21:02,280 --> 00:21:04,070
MRS. ARROYO,

395
00:21:04,070 --> 00:21:05,320
SAMMY!

396
00:21:05,320 --> 00:21:07,070
( door closes )

397
00:21:07,070 --> 00:21:08,950
THIS IS THE CLINIC
VOLUNTEER I MENTIONED.

398
00:21:10,330 --> 00:21:13,120
SAMMY, MY MAN.
WHAT ARE YOU READING?

399
00:21:13,120 --> 00:21:15,290
THE LAST "HUNGER GAMES."

400
00:21:15,290 --> 00:21:17,080
SO YOU ASTHMA'S
REALLY BAD LATELY?

401
00:21:17,080 --> 00:21:18,290
IT'S NOT THE ASTHMA
THIS TIME.

402
00:21:18,290 --> 00:21:20,050
HE'S BEEN SAYING
HE'S DIZZY,

403
00:21:20,050 --> 00:21:22,090
HE THREW UP DURING
THE NIGHT AND THIS MORNING.

404
00:21:22,090 --> 00:21:23,130
IT'S THE NEW MEDS.

405
00:21:23,130 --> 00:21:24,880
OKAY. WE'LL SEE
WHAT'S GOING ON.

406
00:21:26,840 --> 00:21:28,130
THE THEOPHYLLINE COULD
HAVE SOME SIDE EFFECTS.

407
00:21:28,130 --> 00:21:30,020
WE'LL SET UP
SOME BLOOD TEST.

408
00:21:30,020 --> 00:21:31,190
IN THE MEANTIME,
WHY DON'T WE GO
IN THE FRONT

409
00:21:31,190 --> 00:21:32,140
SEE WHAT ELSE YOUR
INSURANCE WILL COVER.

410
00:21:32,140 --> 00:21:34,060
THANK YOU.

411
00:21:34,060 --> 00:21:35,230
BE RIGHT BACK,
HONEY.

412
00:21:35,230 --> 00:21:37,020
DAPHNE, CAN YOU SET UP
A BLOOD DRAW?

413
00:21:37,020 --> 00:21:38,850
- OF COURSE.
- THANKS.

414
00:22:00,130 --> 00:22:01,340
SAMMY!

415
00:22:01,340 --> 00:22:02,340
HELP!

416
00:22:04,010 --> 00:22:05,170
SOMEONE HELP ME.

417
00:22:08,220 --> 00:22:10,180
WHAT'S WRONG WITH YOU?
WHY DIDN'T YOU CALL US?

418
00:22:10,180 --> 00:22:11,890
I'M SO SORRY,
I DIDN'T--

419
00:22:11,890 --> 00:22:13,060
I'M DEAF.
I DIDN'T--

420
00:22:13,060 --> 00:22:14,270
- HOLD ON.
- ARE YOU CRAZY?

421
00:22:14,270 --> 00:22:16,180
YOU LEAVE SOME
DEAF IDIOT IN HERE

422
00:22:16,180 --> 00:22:18,020
WITH A CHILD?
IF I HADN'T COME BACK

423
00:22:18,020 --> 00:22:19,860
FOR MY PHONE,
MY SON COULD HAVE DIED.

424
00:22:19,860 --> 00:22:21,190
SAMMY,
YOU'RE GONNA BE FINE.

425
00:22:21,190 --> 00:22:22,190
SWEETIE.

426
00:22:28,030 --> 00:22:30,040
( pop music playing )

427
00:22:38,200 --> 00:22:40,170
♪ CAN'T TAKE THAT
NINE TO FIVE ♪

428
00:22:40,170 --> 00:22:42,050
♪ BUT I STILL LOOK GOOD
IN A SUIT AND TIE ♪

429
00:22:42,050 --> 00:22:44,050
♪ I FEEL SO ALIVE ♪

430
00:22:44,050 --> 00:22:45,880
♪ COULDN'T KILL MY VIBE
EVEN IF YOU TRIED ♪

431
00:22:45,880 --> 00:22:46,960
♪ WE'LL ♪

432
00:22:46,960 --> 00:22:48,300
♪ KEEP BREAKING RULES ♪

433
00:22:48,300 --> 00:22:50,060
♪ ME AND MY FRIENDS,
THESE CRAZY FOOLS ♪

434
00:22:50,060 --> 00:22:51,890
♪ 'CAUSE HEY ♪

435
00:22:51,890 --> 00:22:55,060
♪ HEY, WE'RE JUST TRYING
TO PAINT THE TOWN TONIGHT ♪

436
00:22:55,060 --> 00:22:58,270
♪ HEY, WE AIN'T COLORING
INSIDE THE LINES ♪

437
00:22:58,270 --> 00:23:00,860
♪ HEY ♪

438
00:23:00,860 --> 00:23:03,190
♪ WE'RE JUST TRYING
TO LIVE OUR LIVES ♪

439
00:23:03,190 --> 00:23:06,860
♪ HEY, WE'RE JUST TRYING
TO LIVE OUR LIVES. ♪

440
00:23:13,200 --> 00:23:16,200
THIS IS WHAT
YOU WANTED TO SHOW ME?

441
00:23:35,850 --> 00:23:37,180
( exhales )

442
00:23:37,180 --> 00:23:40,230
DID YOU JUST TAKE ME ON
A 45 MINUTE MOTORCYCLE RIDE

443
00:23:40,230 --> 00:23:43,020
OR THROUGH A PORTAL
INTO ANOTHER DIMENSION?

444
00:23:43,020 --> 00:23:44,230
WHAT--

445
00:23:54,240 --> 00:23:56,910
THEIR FACTORY WAS
RIGHT BY MAUI, KANSAS.

446
00:24:01,040 --> 00:24:03,130
WAS HE INSANE?

447
00:24:08,170 --> 00:24:09,250
WHAT IS THIS PLACE?

448
00:24:23,190 --> 00:24:24,900
SO...

449
00:24:24,900 --> 00:24:27,900
HE BUILT THIS.

450
00:24:48,290 --> 00:24:50,050
SHE'D REMEMBER HIM.

451
00:24:55,010 --> 00:24:57,260
MY ASSIGNMENT IS
TO PAINT A MEMORY.

452
00:25:02,980 --> 00:25:05,060
( lights power on )

453
00:25:07,230 --> 00:25:08,850
( jazz music playing )

454
00:25:13,030 --> 00:25:16,200
♪ YOU CAST A SPELL ON ME ♪

455
00:25:16,200 --> 00:25:18,950
♪ I WAS BLIND
BUT NOW I SEE ♪

456
00:25:18,950 --> 00:25:22,040
♪ YOU WORK YOUR MAGIC,
THAT'S THE KEY ♪

457
00:25:22,040 --> 00:25:24,290
♪ YOU WAVE YOUR WAND ♪

458
00:25:24,290 --> 00:25:26,960
♪ CAST A SPELL ON ME ♪

459
00:25:31,050 --> 00:25:33,840
♪ YOU CAST
A SPELL ON ME ♪

460
00:25:33,840 --> 00:25:36,010
♪ I WAS BLIND
BUT NOW I SEE ♪

461
00:25:36,010 --> 00:25:39,850
♪ YOU WORK YOUR MAGIC,
THAT'S THE KEY ♪

462
00:25:39,850 --> 00:25:42,850
♪ YOU WAVE YOUR WAND ♪

463
00:25:42,850 --> 00:25:44,890
♪ AND CAST A SPELL ON... ♪

464
00:25:57,190 --> 00:25:58,280
DID YOU BRING
YOUR CAMERA?

465
00:26:02,120 --> 00:26:03,290
WAIT, UH...

466
00:26:03,290 --> 00:26:04,960
WHAT HAPPENED?

467
00:26:04,960 --> 00:26:07,120
DID THE WIFE
REMEMBER HIM?

468
00:26:32,030 --> 00:26:33,900
News Reporter:
Tonight at 11:00.

469
00:26:33,900 --> 00:26:36,780
A fire broke out at
a west Kansas City
apartment complex.

470
00:26:36,780 --> 00:26:39,790
Firefighters believe...

471
00:26:39,790 --> 00:26:41,700
WHAT HAPPENED TO
THE MAN WITH THE PLAN?

472
00:26:41,700 --> 00:26:44,950
TOTAL DUD.

473
00:26:44,950 --> 00:26:47,790
- THE PLAN AND THE MAN.
- ( mutes TV )

474
00:26:47,790 --> 00:26:50,630
IS MOM STILL THAT MAD
ABOUT THE JENNICE THING?

475
00:26:50,630 --> 00:26:51,960
NO, JUST...

476
00:26:51,960 --> 00:26:53,010
OTHER THINGS.

477
00:27:01,760 --> 00:27:02,930
( sighs )

478
00:27:02,930 --> 00:27:05,600
LIKE WHAT?

479
00:27:05,600 --> 00:27:07,930
LIKE MOM IS CHANGING.

480
00:27:07,930 --> 00:27:10,690
OR SHE'S CHANGED,
YOU KNOW?

481
00:27:10,690 --> 00:27:12,610
SOMETIMES PEOPLE
DON'T ALWAYS CHANGE

482
00:27:12,610 --> 00:27:14,980
AT THE SAME TIMES
IN THE SAME WAYS,

483
00:27:14,980 --> 00:27:17,770
- AND WHEN THAT HAPPENS--
- ARE YOU GUYS GONNA, LIKE,

484
00:27:17,770 --> 00:27:19,830
SPLIT UP?

485
00:27:19,830 --> 00:27:21,700
( sighs )

486
00:27:21,700 --> 00:27:23,950
I HOPE NOT.

487
00:27:23,950 --> 00:27:24,990
I REALLY HOPE NOT.

488
00:27:24,990 --> 00:27:26,830
( sighs )

489
00:27:26,830 --> 00:27:29,080
YOU KNOW, BUDDY,
LISTEN.

490
00:27:29,080 --> 00:27:30,090
( clears throat )

491
00:27:30,090 --> 00:27:32,630
WHATEVER HAPPENS,

492
00:27:32,630 --> 00:27:35,050
WE WILL ALWAYS BE
YOUR MOM AND DAD, OKAY?

493
00:27:35,050 --> 00:27:36,750
YOU GOT THAT?

494
00:27:36,750 --> 00:27:38,710
YEAH.

495
00:27:38,710 --> 00:27:40,760
I KNOW I MUST BE
DRIVING YOU NUTS.

496
00:27:40,760 --> 00:27:42,760
I WILL BE OUT OF
YOUR HAIR SOON,
ALL RIGHT?

497
00:27:42,760 --> 00:27:45,010
DAD, REALLY,
IT'S FINE.

498
00:27:49,600 --> 00:27:50,940
- ( sighs )
- GOOD NIGHT.

499
00:27:50,940 --> 00:27:52,610
YEAH.
GOOD NIGHT.

500
00:27:56,610 --> 00:27:58,020
Man: Cut sideways
or cut diagonally--

501
00:27:58,020 --> 00:27:59,610
Woman: Just amazing.

502
00:27:59,610 --> 00:28:02,950
Man: ♪ If you could
read them all ♪

503
00:28:05,620 --> 00:28:10,960
♪ Many the hopes
that have vanished ♪

504
00:28:10,960 --> 00:28:16,880
♪ After the ball. ♪

505
00:28:19,840 --> 00:28:20,970
THERE SHE IS.

506
00:28:20,970 --> 00:28:22,640
- HEY.
- HEY.

507
00:28:22,640 --> 00:28:24,970
MY GRANDDAUGHTER,
THE DOCTOR.

508
00:28:24,970 --> 00:28:26,930
THE FIRST ONE
IN OUR FAMILY.

509
00:28:26,930 --> 00:28:28,760
ARE YOU TELLING EVERYONE?

510
00:28:28,760 --> 00:28:29,850
WELL, WHY SHOULDN'T I?

511
00:28:29,850 --> 00:28:31,610
IS IT A SECRET?

512
00:28:31,610 --> 00:28:32,940
( sighs )
I HAVE A HEADACHE.

513
00:28:32,940 --> 00:28:34,770
I'M GONNA
GO TO BED.

514
00:28:38,940 --> 00:28:41,660
( knocks on door )

515
00:28:43,780 --> 00:28:44,780
( exhales )

516
00:28:47,780 --> 00:28:49,790
YOU LOOK REALLY HANDSOME.

517
00:28:53,960 --> 00:28:56,790
YOU READY TO PARTY?

518
00:29:04,010 --> 00:29:05,760
OH, NO.

519
00:29:05,760 --> 00:29:06,930
WAIT, WHAT HAPPENED?

520
00:29:14,020 --> 00:29:17,020
THAT'S THE BIG
CONFESSION?

521
00:29:26,950 --> 00:29:28,780
YOU DID?

522
00:29:49,720 --> 00:29:51,890
TRAVIS...

523
00:29:51,890 --> 00:29:54,600
OF COURSE THERE ARE
GONNA BE THINGS

524
00:29:54,600 --> 00:29:57,600
THAT WE CAN'T DO
BECAUSE YOU'RE DEAF.

525
00:29:57,600 --> 00:30:00,780
BUT THERE'S ALSO
A WHOLE WORLD

526
00:30:00,780 --> 00:30:02,780
OF THINGS
I NEVER KNEW ABOUT

527
00:30:02,780 --> 00:30:04,780
UNTIL YOU SHOWED ME.

528
00:30:04,780 --> 00:30:08,780
YOU MAKE ME SEE
THE WORLD DIFFERENTLY.

529
00:30:08,780 --> 00:30:13,000
YOU CHANGED
EVERYTHING ABOUT ME.

530
00:30:13,000 --> 00:30:16,660
I LOVE YOU
JUST THE WAY YOU ARE.

531
00:30:16,660 --> 00:30:18,000
( acoustic guitar music
playing )

532
00:30:18,000 --> 00:30:19,790
♪ 'CAUSE ARE YOU NOT
JUST SOME GIRL... ♪

533
00:30:19,790 --> 00:30:21,920
AND YOU DON'T NEED
TO IMPRESS ME.

534
00:30:21,920 --> 00:30:24,920
JUST HOLD ME AND SWAY.

535
00:30:24,920 --> 00:30:27,010
♪ OH-OOH ♪

536
00:30:32,600 --> 00:30:34,930
♪ FALLING IN LOVE
IS SOMETHING ♪

537
00:30:34,930 --> 00:30:37,770
♪ OOH ♪

538
00:30:37,770 --> 00:30:40,780
♪ AHH ♪

539
00:30:40,780 --> 00:30:43,940
♪ FALLING IN LOVE
IS NOTHING ♪

540
00:30:43,940 --> 00:30:45,740
( whistling )

541
00:30:53,790 --> 00:30:54,950
HEY, DAPHNE.

542
00:30:54,950 --> 00:30:56,620
GOT A MINUTE?

543
00:30:56,620 --> 00:30:57,950
I'M INCREDIBLY BUSY.

544
00:30:57,950 --> 00:30:59,870
I'VE GOT PATIENTS TO SEE,
LAB WORK TO PICK UP.

545
00:30:59,870 --> 00:31:01,630
I CAN'T TODAY.

546
00:31:01,630 --> 00:31:02,710
IT'S IMPORTANT.

547
00:31:02,710 --> 00:31:03,710
( sighs )

548
00:31:03,710 --> 00:31:04,760
( salsa music playing )

549
00:31:04,760 --> 00:31:05,920
WHAT ARE YOU DOING?

550
00:31:06,960 --> 00:31:08,590
WHAT?

551
00:31:08,590 --> 00:31:10,600
I CAN DANCE TOO.

552
00:31:10,600 --> 00:31:11,720
COME ON, IT'S EASY.

553
00:31:33,950 --> 00:31:36,620
( singing in Spanish )

554
00:32:00,900 --> 00:32:03,610
DR. VASQUEZ! DR. VASQUEZ!
WE NEED YOU.

555
00:32:05,900 --> 00:32:07,820
( screams )

556
00:32:07,820 --> 00:32:08,940
Jorge: DOUBLE TIME.

557
00:32:08,940 --> 00:32:10,950
- COME ON, DAPHNE.
- FASTER! FASTER!

558
00:32:10,950 --> 00:32:12,620
I CAN'T KEEP UP.

559
00:32:12,620 --> 00:32:13,620
- YOU CAN DO IT.
- COME ON.

560
00:32:13,620 --> 00:32:14,700
I DON'T KNOW THE STEPS.

561
00:32:14,700 --> 00:32:16,120
- FASTER.
- ( screams )

562
00:32:16,120 --> 00:32:17,950
- WHAT ARE YOU DOING?
- YOU'RE GONNA KILL SOMEBODY.

563
00:32:17,950 --> 00:32:19,620
- STOP IT!
- GET UP.

564
00:32:19,620 --> 00:32:21,840
- COME ON.
- STOP IT!

565
00:32:23,960 --> 00:32:25,710
( exhales )

566
00:32:31,220 --> 00:32:32,390
Bay: IT'S A ZOETROPE.

567
00:32:32,390 --> 00:32:34,550
YOU SPIN IT
AND THE IMAGES MOVE.

568
00:32:34,550 --> 00:32:36,220
Teresa: BUT WHY?

569
00:32:36,220 --> 00:32:38,470
I GUESS I JUST LIKED
THAT THE OUTSIDE IS VEGAS.

570
00:32:38,470 --> 00:32:40,270
IT SEEMS SORT OF GENERIC,

571
00:32:40,270 --> 00:32:43,520
BUT INSIDE EVERY LANDSCAPE

572
00:32:43,520 --> 00:32:46,560
THERE ARE THESE PEOPLE
WITH THESE PROFOUND MEMORIES

573
00:32:46,560 --> 00:32:48,230
OF WHAT THE PLACES
MEANT TO THEM.

574
00:32:48,230 --> 00:32:50,660
SO THE PICTURES
OF THIS SHOWGIRL,

575
00:32:50,660 --> 00:32:52,450
THAT'S THE HUSBAND'S MEMORY.

576
00:32:52,450 --> 00:32:54,280
YES.

577
00:32:54,280 --> 00:32:55,530
BUT WHY DID YOU
MAKE A ZOETROPE?

578
00:32:55,530 --> 00:32:57,660
WHY CHOOSE TO
DO IT LIKE THIS?

579
00:32:57,660 --> 00:32:59,370
I KNOW YOU SAID TO PAINT,

580
00:32:59,370 --> 00:33:02,580
BUT I REALLY
WANTED MOVEMENT.

581
00:33:02,580 --> 00:33:05,460
I WANTED HER
TO COME ALIVE

582
00:33:05,460 --> 00:33:07,420
BECAUSE...

583
00:33:07,420 --> 00:33:09,580
BECAUSE THE MOST
POWERFUL MEMORIES

584
00:33:09,580 --> 00:33:12,260
AREN'T FLAT OR LINEAR.

585
00:33:14,300 --> 00:33:15,470
AT LEAST,
THEY AREN'T FOR ME.

586
00:33:15,470 --> 00:33:18,430
THE MOMENTS THAT I
REPLAY OVER AND OVER AGAIN

587
00:33:18,430 --> 00:33:20,640
ARE-- ARE LIKE THIS.
THEY...

588
00:33:24,350 --> 00:33:28,230
THEY SPIN AND SPIN...

589
00:33:28,230 --> 00:33:30,320
AND SOMETIMES
THEY MAKE YOU DIZZY.

590
00:33:30,320 --> 00:33:32,610
OR AT LEAST,
THE GOOD ONES DO.

591
00:33:34,240 --> 00:33:36,280
CONGRATULATIONS.

592
00:33:36,280 --> 00:33:39,360
YOU FIGURED OUT A WAY
TO MAKE ART INSTEAD OF
EXCUSES.

593
00:33:45,250 --> 00:33:46,420
Toby: DAD?

594
00:33:48,580 --> 00:33:51,380
DAD, ARE YOU HERE?

595
00:33:56,380 --> 00:33:58,220
YES.

596
00:33:58,220 --> 00:33:59,550
( laughs )

597
00:33:59,550 --> 00:34:02,310
( rock music playing )

598
00:34:07,230 --> 00:34:09,310
- ( mouthing )
- ♪ WILD THING ♪

599
00:34:10,400 --> 00:34:12,490
♪ YOU MAKE MY HEART SING ♪

600
00:34:15,320 --> 00:34:18,320
♪ YOU MAKE EVERYTHING ♪

601
00:34:18,320 --> 00:34:19,650
♪ GROOVY ♪

602
00:34:19,650 --> 00:34:22,250
- ( laughing )
- ♪ WILD THING ♪

603
00:34:27,250 --> 00:34:28,370
♪ WILD THING ♪

604
00:34:28,370 --> 00:34:30,380
♪ I THINK I LOVE YOU ♪

605
00:34:31,590 --> 00:34:34,590
♪ BUT I WANT TO
KNOW FOR SURE ♪

606
00:34:36,210 --> 00:34:38,470
♪ COME ON AND
HOLD ME TIGHT ♪

607
00:34:38,470 --> 00:34:40,600
( laughing )

608
00:34:42,220 --> 00:34:43,390
♪ I LOVE YOU ♪

609
00:34:45,220 --> 00:34:47,270
WHOO!
( laughs )

610
00:34:48,560 --> 00:34:51,400
WHOO!

611
00:34:54,230 --> 00:34:55,400
♪ WILD THING. ♪

612
00:35:03,410 --> 00:35:04,410
HI.

613
00:35:04,410 --> 00:35:07,330
MISS VASQUEZ.

614
00:35:07,330 --> 00:35:09,620
I BROUGHT YOU
SOME CARROT JUICE.

615
00:35:09,620 --> 00:35:12,420
JORGE MENTIONED IT ONCE.

616
00:35:12,420 --> 00:35:14,550
I HOPE IT'S
THE RIGHT BRAND.

617
00:35:14,550 --> 00:35:16,590
THAT IS PERFECT.
THANK YOU.

618
00:35:18,250 --> 00:35:19,670
SIT.

619
00:35:31,400 --> 00:35:33,570
A LITTLE BIRDIE TOLD ME
YOU WERE ASKING ABOUT

620
00:35:33,570 --> 00:35:36,360
TAKING ON SOME MORE
RESPONSIBILITY AT
THE CLINIC.

621
00:35:36,360 --> 00:35:38,230
OH.

622
00:35:38,230 --> 00:35:39,360
UH, I DON'T KNOW.

623
00:35:41,280 --> 00:35:43,240
PROBABLY NOT.

624
00:35:43,240 --> 00:35:46,490
MY HOURS ARE ALMOST DONE
AT THE CLINIC ANYWAY, SO.

625
00:35:46,490 --> 00:35:48,280
WHAT DID I MISS?

626
00:35:57,550 --> 00:36:00,390
IT'S PROBABLY NOT
THAT REALISTIC ANYWAY.

627
00:36:00,390 --> 00:36:02,220
BECOMING A DOCTOR.

628
00:36:02,220 --> 00:36:05,560
BEING DEAF, YOU KNOW.

629
00:36:05,560 --> 00:36:08,390
DO YOU KNOW HOW MANY
AFRICAN AMERICANS

630
00:36:08,390 --> 00:36:10,610
WERE IN MED SCHOOL
IN 1971?

631
00:36:12,230 --> 00:36:13,690
THERE WERE NINE
IN MY CLASS.

632
00:36:13,690 --> 00:36:17,230
NINE OUT OF 140.

633
00:36:17,230 --> 00:36:18,480
AND DO YOU KNOW
HOW MANY FINISHED?

634
00:36:20,410 --> 00:36:21,580
TWO.

635
00:36:23,410 --> 00:36:27,580
HOSPITALS KEPT "LOSING"
MY APPLICATION FOR RESIDENCY.

636
00:36:27,580 --> 00:36:29,320
AND EVEN WHEN I GOT IN,

637
00:36:29,320 --> 00:36:32,250
EVERYONE KEPT WAITING
FOR ME TO MAKE MISTAKES

638
00:36:32,250 --> 00:36:33,500
TO KICK ME OUT.

639
00:36:33,500 --> 00:36:35,420
THAT'S HORRIBLE.

640
00:36:35,420 --> 00:36:37,250
THE POINT IS,

641
00:36:37,250 --> 00:36:40,390
NO ONE'S GOING TO
HAND YOU A LADDER.

642
00:36:40,390 --> 00:36:41,550
IF YOU WANT IT
BAD ENOUGH,

643
00:36:41,550 --> 00:36:43,300
YOU'LL BUILD YOUR OWN.

644
00:36:44,550 --> 00:36:47,550
BUT BEING DEAF
IS DIFFERENT THAN BEING BLACK.

645
00:36:47,550 --> 00:36:50,220
I MIGHT ACTUALLY

646
00:36:50,220 --> 00:36:51,650
NOT BE ABLE
TO DO THE JOB.

647
00:36:51,650 --> 00:36:53,400
SO YOU'LL MAKE
ADJUSTMENTS.

648
00:36:53,400 --> 00:36:56,230
DAPHNE,
YOU CAN OVERCOME

649
00:36:56,230 --> 00:36:58,350
ALL THE ROAD BLOCKS
IN THE WORLD

650
00:36:58,350 --> 00:37:02,410
IF YOU BELIEVE
IN YOURSELF.

651
00:37:02,410 --> 00:37:04,240
BUT IF YOU LET THEM
GET IN HERE,

652
00:37:04,240 --> 00:37:06,240
IT'S OVER.

653
00:37:13,040 --> 00:37:14,290
SO EMMETT SAID
THAT YOU DID THIS

654
00:37:14,290 --> 00:37:19,000
AMAZING PHOTO SPINNING
THING FOR YOUR ART CLASS?

655
00:37:20,300 --> 00:37:22,340
ACTUALLY,
EMMETT DID THAT.

656
00:37:22,340 --> 00:37:24,970
HE DESERVES
ALL THE CREDIT.

657
00:37:24,970 --> 00:37:26,430
WHAT DO YOU MEAN?

658
00:37:26,430 --> 00:37:28,300
I HAD THE IDEA,

659
00:37:28,300 --> 00:37:30,220
BUT HE FIGURED OUT
THE CAMERA SETTINGS,

660
00:37:30,220 --> 00:37:31,440
AND HE SHOWED ME
HOW TO TAKE THESE

661
00:37:31,440 --> 00:37:34,190
INDIVIDUAL FRAMES
OF THIS VIDEO

662
00:37:34,190 --> 00:37:35,480
OF A DANCER.

663
00:37:35,480 --> 00:37:38,390
HE EVEN HELPED ME BUILD IT
BECAUSE I COULDN'T.

664
00:37:38,390 --> 00:37:40,150
SO?

665
00:37:40,150 --> 00:37:41,990
IT WAS STILL
YOUR IDEA.

666
00:37:41,990 --> 00:37:44,070
EVERYONE THINKS THAT
IF YOU HAVE A GREAT IDEA,

667
00:37:44,070 --> 00:37:46,160
EVERYTHING ELSE JUST
FALLS INTO PLACE,

668
00:37:46,160 --> 00:37:48,030
BUT IT'S THE EXECUTION
THAT COUNTS.

669
00:37:48,030 --> 00:37:49,070
IT'S ALL THE DETAILS.

670
00:37:49,070 --> 00:37:50,370
EVERY LITTLE TINY CHOICE.

671
00:37:50,370 --> 00:37:52,210
THAT IS WHAT ART IS.

672
00:37:52,210 --> 00:37:54,330
SEE? EVEN THAT
YOU KNOW THAT,

673
00:37:54,330 --> 00:37:56,330
YOU ARE SUCH
AN ARTIST.

674
00:37:56,330 --> 00:37:58,330
YOU'LL FIGURE IT OUT.

675
00:37:58,330 --> 00:38:00,470
IT'S SO STRANGE HATING
A PART OF YOUR BODY,

676
00:38:00,470 --> 00:38:02,420
BEING MAD AT IT FOR
NOT BEING ABLE TO DO

677
00:38:02,420 --> 00:38:03,970
WHAT YOU WANT IT TO.

678
00:38:03,970 --> 00:38:05,340
( door opens, closes )

679
00:38:09,130 --> 00:38:11,060
I GOTTA GO DO
AN APOLOGY TOUR.

680
00:38:15,310 --> 00:38:17,310
YOU ARE NOT GOING TO
YELL AT ME, ARE YOU?

681
00:38:17,310 --> 00:38:19,310
I AM SO SORRY.

682
00:38:20,990 --> 00:38:22,070
IT'S OKAY.

683
00:38:23,110 --> 00:38:25,030
YOU KNOW WHAT
I LEARNED THIS SUMMER?

684
00:38:25,030 --> 00:38:28,990
VASQUEZ WOMEN HAVE
TERRIBLE HOUSEHOLD
CLEANING HABITS?

685
00:38:28,990 --> 00:38:30,200
WELL, YES.

686
00:38:30,200 --> 00:38:33,000
BUT ALSO IF YOU'RE
WILLING TO YELL AT ME,

687
00:38:33,000 --> 00:38:35,040
THAT MEANS YOU'RE
REALLY MY DAUGHTER.

688
00:38:36,330 --> 00:38:39,000
WELL, THAT IS
A VERY SWEET WAY

689
00:38:39,000 --> 00:38:41,380
TO LOOK AT
VERY RUDE BEHAVIOR.

690
00:38:41,380 --> 00:38:42,460
THANK YOU.

691
00:38:47,130 --> 00:38:48,960
- HI.
- HI.

692
00:38:51,140 --> 00:38:53,020
I HAVE A SURPRISE
FOR YOU.

693
00:38:53,020 --> 00:38:54,230
JOHN--

694
00:38:54,230 --> 00:38:56,970
THE WHOLE FAMILY'S INSIDE.
WE'RE HAVING DINNER.

695
00:38:56,970 --> 00:38:58,310
I'M SUPPOSED
TO GO INSIDE

696
00:38:58,310 --> 00:38:59,970
AND PRETEND THAT
NOTHING IS WRONG?

697
00:38:59,970 --> 00:39:01,400
WILL YOU PLEASE JUST HAVE
A MEAL WITH YOUR FAMILY?

698
00:39:01,400 --> 00:39:04,320
THAT'S ALL I'M ASKING.
PLEASE?

699
00:39:07,190 --> 00:39:08,190
OKAY.

700
00:39:17,120 --> 00:39:18,410
HI, EVERYBODY.

701
00:39:18,410 --> 00:39:21,260
- All: HI.
- HI, KATHRYN.

702
00:39:21,260 --> 00:39:22,260
- UM--
- OH, NO.

703
00:39:22,260 --> 00:39:24,000
THIS END, PLEASE.

704
00:39:24,000 --> 00:39:26,260
- I INSIST.
- OKAY.

705
00:39:27,380 --> 00:39:29,170
Kathryn: WOW.

706
00:39:29,170 --> 00:39:30,430
LOOK AT THIS.

707
00:39:30,430 --> 00:39:32,970
( chuckles )

708
00:39:32,970 --> 00:39:34,060
WHO COOKED?

709
00:39:35,220 --> 00:39:38,010
( clears throat )

710
00:39:40,060 --> 00:39:41,980
( knocking rhythmically )

711
00:39:45,230 --> 00:39:46,440
TOBY, PLEASE DON'T.

712
00:39:46,440 --> 00:39:49,440
( clinks glass )

713
00:39:49,440 --> 00:39:52,030
BAY. COME ON, STOP.

714
00:39:52,030 --> 00:39:54,990
( shaking rhythmically )

715
00:39:54,990 --> 00:39:56,410
WHAT ARE YOU GUYS--?

716
00:40:00,240 --> 00:40:03,340
( all playing rhythmically )

717
00:40:09,130 --> 00:40:10,970
WHAT'S GOING ON?

718
00:40:14,140 --> 00:40:16,050
( pop music playing )

719
00:40:16,050 --> 00:40:18,220
( all playing rhythmically )

720
00:40:22,980 --> 00:40:24,980
♪ ME PLUS YOU ♪

721
00:40:24,980 --> 00:40:29,440
♪ IS GREATER THAN
OR EQUAL TO ♪

722
00:40:29,440 --> 00:40:32,200
♪ THE SUM OF EVERY
LOVE WE KNEW ♪

723
00:40:32,200 --> 00:40:34,160
AH!

724
00:40:34,160 --> 00:40:36,990
♪ BACK WHEN WE
WERE YOUNG ♪

725
00:40:39,990 --> 00:40:42,080
♪ AND IF WE MULTIPLY ♪

726
00:40:43,340 --> 00:40:46,210
♪ I HOPE TO GOD
THEY GET YOUR EYES ♪

727
00:40:46,210 --> 00:40:47,630
OHH!

728
00:40:47,630 --> 00:40:50,970
♪ AND WE GET SOMETHING
THAT YOU CAN'T DIVIDE ♪

729
00:40:50,970 --> 00:40:54,300
♪ 'CAUSE BABY,
YOU ARE THE ONE ♪

730
00:40:54,300 --> 00:40:57,090
♪ AND WE CAN DANCE OFF TIME ♪

731
00:40:57,090 --> 00:41:02,230
♪ TO SONGS I MAKE UP
FOR YOU ♪

732
00:41:03,310 --> 00:41:06,060
♪ 'CAUSE EVERY WORD I WRITE ♪

733
00:41:06,060 --> 00:41:10,270
♪ CHORD I STRIKE
IS FOR YOU ♪

734
00:41:10,270 --> 00:41:12,200
♪ OHH-OH ♪

735
00:41:12,200 --> 00:41:14,990
- ♪ IT'S FOR YOU ♪
- ♪ OH OH, WHOA ♪

736
00:41:14,990 --> 00:41:17,110
♪ OH OH, WHOA-OH-OH ♪

737
00:41:17,110 --> 00:41:20,320
♪ OHH ♪

738
00:41:20,320 --> 00:41:23,460
♪ YOUR SUN-KISSED SKIN ♪

739
00:41:23,460 --> 00:41:27,290
♪ A SOUVENIR
OF WHERE WE'VE BEEN ♪

740
00:41:29,000 --> 00:41:31,970
♪ YOU MAKE ME FEEL
BORN AGAIN ♪

741
00:41:31,970 --> 00:41:36,050
♪ HALLELUJAH, AMEN ♪

742
00:41:37,970 --> 00:41:39,390
♪ AND WHEN THE ANGELS SING ♪

743
00:41:39,390 --> 00:41:42,140
♪ IT FEELS LIKE
HEAVEN POURING DOWN ♪

744
00:41:42,140 --> 00:41:44,980
♪ WHEN THE CHURCH BELLS RING ♪

745
00:41:44,980 --> 00:41:46,310
♪ AND MY QUEEN IS CROWNED ♪

746
00:41:46,310 --> 00:41:48,980
♪ WELL, I COULD BE
YOUR KING... ♪

747
00:41:48,980 --> 00:41:50,140
RENZO, DID YOU DO THIS?

748
00:41:50,140 --> 00:41:52,240
NO. IT WAS ALL HIM.

749
00:41:52,240 --> 00:41:55,360
♪ AND WE CAN DANCE OFF TIME ♪

750
00:41:55,360 --> 00:41:57,990
♪ TO SONGS I MAKE UP
FOR YOU... ♪

751
00:41:57,990 --> 00:42:00,070
I CAN'T BELIEVE
YOU DID THIS.

752
00:42:00,070 --> 00:42:02,250
IF IT'S ADVENTURE
YOU WANT,

753
00:42:02,250 --> 00:42:04,080
IT'S ADVENTURE
YOU'LL GET.

754
00:42:04,080 --> 00:42:09,000
♪ CHORD I STRIKE
IS FOR YOU ♪

755
00:42:09,000 --> 00:42:10,080
♪ OHH, OH ♪

756
00:42:10,080 --> 00:42:11,300
♪ IT'S FOR YOU ♪

757
00:42:11,300 --> 00:42:13,130
♪ OH OH, WHOA ♪

758
00:42:13,130 --> 00:42:15,300
♪ OH OH, WHOA-OH-OH ♪

759
00:42:15,300 --> 00:42:18,970
♪ OHH ♪

760
00:42:18,970 --> 00:42:21,310
♪ 'CAUSE EVERY WORD I WRITE ♪

761
00:42:21,310 --> 00:42:26,140
♪ CHORD I STRIKE
IS FOR YOU ♪

762
00:42:26,140 --> 00:42:27,310
♪ OHH, OH ♪

763
00:42:27,310 --> 00:42:28,310
♪ IT'S FOR YOU ♪

764
00:42:28,310 --> 00:42:30,310
♪ OH OH, WHOA ♪

765
00:42:30,310 --> 00:42:33,070
♪ OH OH, WHOA-OH-OH ♪

766
00:42:33,070 --> 00:42:35,150
♪ OHH. ♪